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THE .DOCTOR IS IN

Charles Blackstone

Novelist, writing coach, developmental editor, and book doctor.

Work with Charles
Charles Blackstone, photographed by Erika Dufour
Actual author photography only temporally imaginary by Erika Dufour
A private editorial practice

Charles Blackstone is a novelist, writing coach, developmental editor, and book doctor. In his private practice in New York City, he works directly with subject matter experts and creative writers on fiction, memoir, nonfiction, as well as screenplays, poems, and corporate communications—from an idea in search of its shape to a manuscript ready for a serious revision and everywhere in between. His work brings together close reading, candid editorial conversation, and sustained coaching to help writers understand their books, solve problems on the page, and keep moving.

An engagement may begin with a query letter, a synopsis, or an opening chapter. Charles looks at what the writer wants the book to do, then works back through the manuscript: structure, character, voice, scenes, and the relationship between the promise of the pitch and the experience of reading. His practice includes developmental editing, book doctoring, ghostwriting and collaboration, and guidance on positioning and submission. The work can be a focused diagnosis or an ongoing partnership through successive drafts.

He is the author of Vintage Attraction (Pegasus Books / Simon & Schuster) and The Week You Weren’t Here (Dzanc Books and Low Fidelity Press), and coeditor, with Jill Talbot, of The Art of Friction (University of Texas Press). His short fiction has appeared in Esquire’s Napkin Fiction Project, The &NOW Awards: The Best Innovative Fiction anthology, In Like Company: The Salt River Review and Porch Anthology, Lewis University’s Jet Fuel Review, and the University of Maine’s Stolen Island. His essays have appeared in Chicago Tribune Printer’s Row Journal, Chicago Sun-Times, Fiction Writers Review, Book Reporter, and The Millions. His short plays have been produced by Victory Gardens and Lifeline Theaters. He was a co-producer of the feature film Boy Meets Girl, winner of Best Narrative Feature at FilmOut San Diego and a GLAAD Media Award nominee.

Named to Newcity’s Lit 50, Charles served as managing editor of Bookslut, the internationally acclaimed book review publication and blog. With Jessa Crispin, he helped launch The Culture We Deserve, an online cultural criticism forum.

Charles holds degrees from the University of Illinois at Chicago and the University of Colorado, where he directed the Graduate Reading Series and received the Barker Award for Fiction. His teaching includes Gotham Writers’ Workshop, Colorado, Wright College, the University of Chicago’s Graham School of General Studies, and Shimer College. He brings the same attention to his work with writer clients that he brings to his own books. He lives in New York City.

The books

On the shelf.

Vintage Attraction

A novel

Pegasus Books / Simon & Schuster

“Fiction is often a few beats ahead of the accelerated grimace of reality, as Charles Blackstone demonstrates in this engaging novel about a celebrity sommelier and the hyper-articulate mensch who loves her. A quirky and original novel about love, wine, and marriage.”

“I read it on a stone tablet and loved every word.”

“Blackstone brings out the flavor of something truly riveting.”

“Blackstone is a witty writer with a great subject.”

“The amusing scenes involving academia are written with brilliance and insight.”

“For those with a taste for both light literary romance and a glass of crisp Assyrtiko, this is an excellent match.”

“Pick it up if you’re a Top Chef fan, wine fan, or just someone who likes a good love story.”

The Week You Weren’t Here

A novel

Dzanc Books / Low Fidelity Press

“This book reminds me of why I read fiction in the first place.”

“A witty and inventive deconstruction of a young-man-as-artist’s pursuit of love among a confusion of choices.”

“At its best, The Week You Weren’t Here achieves the pitch-perfect sensation of a quirky pop song.”

“Remarkable… A compelling balancing act to watch… An original voice.”

The Art of Friction

Where (Non)Fictions Come Together

Coedited with Jill Talbot · University of Texas Press

“What I like about this collection is that it takes a complicated issue and intentionally muddies the waters even more—in the interim giving us some wonderful stories, essays, or what-have-you.”

— Phillip Lopate

“The Art of Friction doesn’t clarify the gray space between fiction and non-, the perpetual argument in the post-Frey literary world. It inhabits it, exploits it, and celebrates it, and reorients us all toward what’s more important: good writing, good stories, regardless of category. This anthology is full of them.”

— Lisa Selin Davis

“It’s a provocative anthology, one of the first to address these vexing questions.”

Contact

Questions, projects, and rights.

On and off the page

The Work, Play, and Kibbitzing of Friction.

AI-generated scene of Charles Blackstone lecturing
LecturingAI-generated scene
AI-generated scene of Charles Blackstone curing salmon
Curing salmonAI-generated scene
A reader at a literary event holding a card that says, ‘Spoiler: Oy vey, not another story!’
A reader, properly warnedActual scene
Charles Blackstone holding Vintage Attraction while appearing in conversation with novelist and musician Wesley Stace
In conversation with Wesley StaceActual scene
Charles Blackstone’s sister and brother-in-law serving customers from a Mister Softee ice cream truck
Charles’s sister and brother-in-law, Mrs. and Mister Softee, selling ice cream and literary fictionActual scene
A smiling reader holding a copy of Vintage Attraction in a library
Reader, she married him.Actual scene
Caroline editing a ceiling-high stack of manuscript pages while Charles stands nearby looking guilty
Reader, she edited him.AI-generated scene